I’ve had this image for a while, shared with me in photo by Sr. Sara at Clarke. Time permits me to take another, closer look at some of her paintings and I am finding more to say about each as I study them closer.
At the top layer, two cells have X’s spanning them and a third is suggested far left. My aunt employes this crisscrossing pattern frequently in her work. Take a look at the top right square. If you are familiar with my aunt’s earliest BVM habit, what could be interpreted as a boxy black and white habit is softly suggested. It is on the left side of that top square. Maybe that is a stretch on my part.
But there is something going on in each section—everything it its own neat environment— but on the outside, they all contribute to a combined glow – a reflection of the vibrancy of diverse lives in a multi-unit building or structure.
What is most fascinating is that it is very unlikely my aunt ever walked city streets at night. Before Vatican II, any time she left the convent she always had to travel with a companion sister. When my father met her for the first time in the late 1940s, she had a nun buddy with her. I am not sure when she traveled to Europe, what her restrictions were regarding wandering around urban areas at night.
How much of this is her imagination I cannot say. It looks very NYC to me, or Chicago. There is the suggestion of a little hillside village or suburb on the left, so it may be the juxtaposition of two different cultures. What ever location it depicts, it is vibrant and interesting. A print of this would be something to treasure and enjoy and reflect upon.