Pioneer Angelus

One of the pieces I am most eager to see or have a photo of is Pioneer Angelus, a large mural painted by my aunt as her final assignment for her Master of Arts degree at University of Iowa State (SUI) in 1941.

For many years, the mural hung in the Eliza stairwell at Clarke. According to her student Verna Friedman, Pioneer Angelus was taken down in 1958. Its whereabouts today are unknown. Neither Clarke University nor Mt. Carmel know what happened to the painting.

It can’t be that easy to hide. Measuring 4.5ft. x 8ft, this large work could not have been accidentally tossed. That Clarke or the Sisters of Charity do not have custody of this, when they have other less acclaimed work is unusual.

The whereabout of this 4.5 x 8ft mural are unknown.

According to Sisters of Charity information sent to me, the following note from 1941 was said of Pioneer Angelus:
“The beginning of Catholicism in the Mississippi Valley has been enshrined on canvas by Sister Mary James Ann Walsh, B.V.M., in a mural, “Pioneer Angelus” recently completed as a thesis requirement for the Master of Arts degree in graphic and plastic art, at the State Univeristy of Iowa, Iowa City.”

“In choosing such a suject for her masterpiece, Sister Mary James Ann has depicted an incident, the ringing of the first Angelus in Dubuque, that is cosely bound to the early history of our congregation and dear to the descendants of the Catholic pioneers of Dubuque.The painting is an ever vivid reminder of these spirit of courage, generosity, devotion, and holiness of those who foster the religious beginnings.”

So what happened to Pioneer Angelus? My guess is that Pioneer Angelus either fell victim to a fire, or other damage while in storage, sold to raise funds or donated to a Catholic institution where it’s historical relevance would be appreciated and cared for in perpetuity.

In the World Wide Web, the search engine has become a valuable conduit for me and for others vested in a common interest.The Internet has allowed me to stretch my arms and probe a region and area that would be otherwise out of my reach. My hope is that this mural still exists and someone may encounter it and out of curiosity, enter its creator into Bing, Google or other search engine.

This is one painting I wish to experience. I would love to see a color image. It is a key expression of my aunt’s faith and technique.

My next step is to contact Catholic institutions in the mid-west, concentrating on Iowa and surrounding areas and send them a copy of this link. Likely, whoever is custodian of this remarkable work, might not be aware there is outside interest.

As I near the final stages of my own Master work, I juggle different ways in which I may present the capstone of my research. An academic paper? Perhaps. I’m wordy and no stranger to footnotes and citations! But my MALS program also encourages its student to package the research in an accessible manner. I could apply for grants and set up a gallery showing of her work. I could obtain prints and copies and have a Delaware debut of her work. I could create a virtual museum (something that intrigues me and would have to partner a Web developer for, create a book of her work with lovely glossy plates, and finally, partner with Clarke and Mt. Carmel BVM mother house in creating a venue to showcase and market the artistic talents of their Sisters, past, present and future.

A virtual, online BVM gallery and gift shop could serve two purposes. There would be a e-commerce site, replete with SMJA scarves (wouldn’t bridges make a great scarf?) cards & notes, and prints. It would get the word out, fulfill a niche market in 50s and 60s art and culture, and at the same or over time, produce some revenue that could be reinvested into printmaking, etc.

But I digress. There are more images out there to be discovered and enjoyed – Pioneer Angelus is not the only missing work, but it is a significant one to locate. Finding out where it is and how it got to where it is will be a story worth telling.

I plan to visit the Midwest during the summer of 2012 and want to view and photograph as many of her paintings as I can.

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Portrait of a mid-century contemporary artist, AKA Ann Walsh